taittweets2013

Russell Harcourt, Counter tenor – Tait update

Lovely to hear from Tait Awardee, Russell Harcourt who recently returned from Sydney after working with Pinchgut Opera.

Russell Harcourt Photo by Simon Hodgson — Russell Harcourt
Photo by Simon Hodgson

He has recently updated his website with some excerpts from the opera Vivaldi’s Bajazet. Hadleigh Adams (also a Tait prize winner) was singing the title role.

Listen to Russell sing Handel here

Russell is currently preparing David (cover) in Saul for Glyndebourne on Tour as well as participating in Janice Kerbel’s piece DOUG in Glasgow which is a Turner Prize Nominee.

Follow these links to learn more about Russell:

www.russellharcourt.com

www.facebook.com/russellharcourtcountertenor

” …penetrating, glint-edged clarity.”
The Australian, July 7, 2015

Russell Harcourt is steadily gaining recognition on the operatic stage and concert platform throughout the UK and Australasia for a refined brilliance of vocal colour and the comic charm of his characterisations.

Russell studied voice with Graham Pushee and made his operatic début in 2007 as Oberon in A Midsummer Night’s Dream. He made his Australian concert début in 2009 as a guest artist at the Australian Festival of Chamber Music and made his Royal Opera House début in the Crush Room in the Deloitte Ignite 2010 series.

Russell has recently returned from a critically acclaimed performance of Andronico in Vivaldi’s rarely performed pasticcio, Bajazet, for Sydney’s Pinchgut Opera. Other career highlights to date include the role of Athamas in Handel’s Semele under Sir Charles Mackerras; an extensive tour with English Touring Opera including roles in Handel’s Agrippina and Monteverdi’s The Coronation of Poppea; performances of Messiah with the New Zealand Symphony Orchestra, alongside Teddy Tahu Rhodes, under the baton of Richard Gill; and Corrado in Vivaldi’s Griselda, also with Pinchgut Opera.

Recent engagements include Countertenor 1 (cover) The Gospel According to the Other Mary and Hunahpu (cover) Indian Queen, both for director Peter Sellars at English National Opera, Pisandro The Return of Ulysses for Iford Arts Festival under Christian Curnyn and Soloist in the European premiere of Andrew Ford’s The Past for counter-tenor, flute and string orchestra with Ruthless Jabiru under Kelly Lovelady, Australian & New Zealand Festival of Literature & Arts.

Other engagements include Volano Il Giasone under Jane Glover; Fox/Coachman (cover) The Adventures of Pinocchio Opera North; Armindo (cover) Partenope Opera Australia (Sydney and Melbourne); Zelim (cover) La verità in cimento, Licida (cover) L’Olimpiade both for Garsington Opera and Alto soloist Vanguard Australian Ballet.

Oratorio experience includes alto soloist in Handel’s Messiah, Judas Maccabaeus, Israel in Egypt, J. S. Bach’s St. Matthew Passion, Bernstein’s Chichester Psalms, excerpts from Pergolesi’s Stabat Mater and excerpts from Vivaldi’s Stabat Mater, Magnificat and Introduction and Gloria.

Prizes and scholarships include Hariclea Darclée Special Award for Excellence, The Sir Robert Askin Operatic Travelling Scholarship, Tait Memorial Trust Grant, Australian Music Foundation Awards, Ian Potter Cultural Trust Grant, Australia Council for the Arts; Skills and Arts Development Grant and the Marten Bequest Travelling Scholarship. In 2008, Russell was the winner of the prestigious Dame Joan Sutherland Award, as well as the People’s Choice Award at the same event and in 2012 he was a finalist in The Kathleen Ferrier Awards at Wigmore Hall.

Russell holds a Bachelor of Music from the Sydney Conservatorium of Music and an MA, Dip. RAM in Opera from The Royal Academy of Music. He studied part-time at the National Opera Studio and is an Associate of the Jette Parker Young Artist’s Programme at the Royal Opera House Covent Garden. He has performed in master classes for Emma Kirkby, Michael Chance, Andreas Scholl and Rosalind Plowright and he is an alumnus of the Britten-Pears Young Artist Programme.

Russell currently lives in London and studies with Yvonne Kenny.

Andronico in Bajazet, Pinchgut Opera

Australian countertenor Russell Harcourt is the vacillating Prince Andronico … He has an exciting male soprano voice … excellent in recitative, growing in vocal stature as the evening progresses…”
Clive Paget, Limelight, Australia’s Classical Music & Arts Magazine, July 5, 2015

“Russell Harcourt’s Andronico is a vibrant and sometimes garish foil to the solemn fervour of Asteria.”
Harriet Cunningham, Sydney Morning Herald, July 5, 2015

“Russell Harcourt rang with impressive vocal consistency as Andronico … Characterised by a beautifully aspirated smooth falsetto that comfortably reached dizzying highs, Harcourt gave a memorable performance.”
Paul Selar, BachTrack, July 6, 2015

Narciso in Agrippina, English Touring Opera

“Russell Harcourt’s fawning Narciso, a dessicated cleric who sings like a nightingale”
Michael Church, The Independent

“Russell Harcourt was nimble-voiced and wickedly self-serving as Narciso”
Peter Reed, Classical Source

Athamas in Semele, Royal Academy of Music

“Russell Harcourt was exceptional. Fine attack, varied tone, stunning decoration, accomplished breath control, and with a clipped acting style that fitted the role like a glove.”
Peter Reed, Opera Magazine

“Harcourt however, not only possesses a beautiful voice and a fine technique, but proved himself to be one of the strongest actors in the show.”
Calvin Wells, Opera Brittania

Nutrice in Poppea, English Touring Opera

“Russell Harcourt was very soignee looking [and] brought great vocal character to the role”.
Robert Hugill, Planet Hugill, 2013

Corrado in Griselda, Pinchgut Opera

“…Russell Harcourt’s role as Corrado, isn’t designed to win hearts but his performance certainly doesn’t lose any. Snappy exchanges…are vociferous and precise.”
Neville Olliffe, Early Music Association of NSW, 2011

Oberon in A Midsummer Night’s Dream, WAAPA

“Russell Harcourt made an impressive King of the Fairies. His Oberon was consistently majestic; he moved around the stage as if it were his natural domain and his voice was informed by a slightly sinister quality that sounded entirely right.”
Neville Cohn, The West Australian

Tait Winter Prom 2015

Please save the date for our 5th annual Tait Winter Prom which will be held in the Amaryllis Fleming Concert Hall at the Royal College of Music on Monday the 23rd of November at 6.30 for 7pm. This year we are delighted to welcome Australian virtuoso pianist and Tait Patron, Piers Lane AM who will be playing Chopin. With wine kindly provided by Treasury Wines Estates please join us, sit back and enjoy some of the most beautiful music written for the piano.

We will also be announcing our 2015 Awardees and look forward to hearing some of our talented young Australian artists performing for us at the beginning of the evening. Our awards would not be possible without the support of the Tait Friends, our loyal private donors and our principal partner the Commonwealth Bank of Australia. Thank you.

We will first showcase some of our 2015 awardees:

• Alexandra Isted, violin – Tait Scholar at the RCM
• Tabatha Mc Fadyen, soprano – Tait Award, Bel Canto Awards Australia
• Matthew Reardon, tenor – Tait Prize, Australian International Opera Awards
• Chad Vindin, piano – Tait Prize, Royal Over-Seas League
• Peter Wilson, composer – Loewenthal Award RCM

Don’t miss this opportunity to hear Piers and our talented awardees and meet them at a small reception after the concert. For our Friends please join us for dinner at the Polish Club with Piers and our Tait Awardee performers. Please follow the link below to book your place and book early as places are limited

Other prizes and awards to be announced shortly

Please come. Help us to support these talented young Australians who are making their mark in the UK.

Kabarett!! at Leighton House, 23rd September

This is a last minute concert, as Brad Cooper is in town with his highly acclaimed Kabarett show (which is on tour from Australia). Ross Alley has agreed to accompany Brad to support our Friends and supporters at the beautiful Leighton House. This museum has been recently refurbished.

The house was the former home and studio of the leading Victorian Artist, Lord Leighton, It is one of the most remarkable buildings of the 19th Century, containing a fascinating collection of paintings and sculpture by Leighton and his contemporaries.

To book please click here

Not to be missed .
Isla Baring OAM
Chairman
Tait Memorial Trust

KABARETT!
Night is not only there for sleeping…

Leighton House, 12 Holland Park Road, London W14

7:00 for 7.30pm. Wednesday, 23 September 2015

BRAD COOPER tenor

ROSS ALLEY piano

Prepare to be transported in the luxurious surrounds of London’s Leighton House as Brad and Ross take you on a comic romp through the best-loved and most popular Cabaret song repertoire. From the wartime hits of Coward and Novello via Austria, America and Australia through to the irreverence of today, KABARETT! is a celebration of wild eclectic decadence and dangerously dark humour.

PROGRAMME
Ivor Novello
Shine Through My Dreams

Tom Lehrer
Poisoning Pigeons in the Park

Noël Coward
London Pride

Hans May
Heut ist der schönste Tag in meinem Leben…

Erich Korngold
Glück, das mir verblieb

Noël Coward
Nina

Robert Stolz
Ob blond, ob braun, ich liebe alle Frau’n

Noël Coward
Someday I’ll Find You

Ivor Novello
Rose of England

Theo Mackeben
Die Nacht ist nicht allein zum Schlafen da

Tom Lehrer
The Masochism Tango

Norbert Glanzberg
Padam Padam

Hans Eisler
Ballade von der Krüppelgarde

Erich Korngold
Mond, so gehst du wieder auf

Dillie Keane
‘Lieder’

Marilyn Miller & Cheryl Hardwick
Making Love Alone

Percy Grainger
Colonial Song

Charles Dumont
Non, Je ne regrette rien!

Dillie Keane
Stick Your Head Between Your Legs

ABOUT THE ARTISTS

Brad Cooper trained at the Sydney Conservatorium of Music, the National Opera Studio, London, and with Marilyn Horne at the Music Academy of the West, California. Now resident in Australia, Brad debuted as Albert in Albert Herring for Opera Australia in 2013. This season Brad performs Tamino in Magic Flute for Opera Australia and Orfeo in Haydn’s Orfeo ed Euridice under Richard Bonynge. With pianist David Barnard he presents Don’t Mention the War for Melbourne Recital Centre, Broken Hill Regional Gallery.

Memorable appearances include Tamino in Die Zauberflöte and Belmonte in Die Entführung aus dem Serail (Oper Köln), Don Alonse in L’Amant Jaloux (Opéra Comique, Paris), Conte Almaviva in Il Barbiere di Siviglia (Opera Holland Park, London), Clem in Hamel’s Snow White (Nederlandse Reisopera) and Davey in Dove’s Siren Song (Grachtenfestival, Amsterdam).

Brad is thankful for the support of Tait Memorial Trust, Nance Atkinson Trust, Johnson Bequest, Australian Opera Auditions Committee’s Dame Joan Sutherland Award and Australian Singing Competition.

Ross Alley is a native of New Zealand, he worked as a pianist and music teacher at the National School of Ballet and the Australian Ballet Company and School before moving to England. In London he was employed by the Royal Ballet School as a pianist, with responsibilities as a music tutor to develop the teachers’ training course and create the pianists training program for aspiring ballet accompanists.

Mr. Alley is closely associated with the Cecchetti Society, researching, editing and arranging music for the syllabi. He lectures on classical music at the Royal Opera House, organized by the Royal Opera House Education Department with the University of London and Friends of Covent Garden.

June Mendoza interview from the Pikitia Press Blog

This blog post was published on the Pikitia Press Blog on Thursday January 23rd, 2014 written by Matt Emery. As June Mendoza is a patron of the Tait Memorial Trust we wanted to share this fascinating article about a great Australian. We are very grateful to Matt Emery for sharing these illustrations and his interview with June on his blog.

http://pikitiapress.blogspot.com.au/2014/01/june-mendoza-interview.html

Thursday, January 23, 2014
June Mendoza Interview

0_2877391-1 — June Mendoza with three of her children, Ashley and Lee seated; Elliet standing in left foreground. A portrait of her four children is in the background

June Mendoza was born in Melbourne, Australia,1927, to an artistic family, pianist, composer Dot (née) Mendoza and musician John Morton. June focused on an art career from twelve years of age, taking life drawing at fourteen. By seventeen June was illustrating book jackets, magazine illustrations, town-planning exhibition artwork, record sleeves, some portraits and the adventure comic strip Devil Doone.

0_2877386 — June Mendoza with paint palette in front of her portrait of Sammy Davis Junior.

Mendoza immigrated to England in the early 1950s and worked for Hulton Press producing illustrations and comics for Eagle’s companion title Girl. After five years June transitioned into full time portraiture with subjects including Prince Philip, Duke of Edinburgh, Sammy Davis Junior, Sean Connery, Princess Diana, Queen Elizabeth II (twice), HM Queen Elizabeth The Queen Mother, Sir William McMahon, Prince Edward, Baroness Margaret Thatcher, Sir John Major, Sir John Gorton 1972 (official Parliamentary portrait acquired 1972 – the first and only official portrait of a Prime Minister by a woman artist).

mendoza6 — Panel from Diana and Debbie are Dieticians featured in 1950’s Girl Annual by Hulton Press.

In mid 2013 June answered a few questions for Matt Emery via email.

Do you recall what your first professional illustration job was and how old you were at the time?

Hopeless with dates, But discounting portraits, which I was already doing by the time I was 12, I remember a big job on a Town Planning exhibition for some architects when I was about 17, which involved humourous, but relevant, illustrations accompanying text, on about ten large panels.

How did you get the job of illustrating the first episodes of Devil Doone?
Can’t remember, But I had this ability to repeat likenesses of the characters in different situations and with different expressions.

Do you recall any other cartoonists that were active during the time you drew comics in Australia?
No. Except the beloved Les Tanner, of course; but he was something else.

Read Belle of the Ballet in Crazy Day on the Pikitia Tumblr

What brought you to England and what were the first comics you worked on there?
The world was on the other side, and we all wanted to be there. I took over from a splendid comic artist on the already running and popular ‘Belle of the Ballet” for Hulton Press. Alan Stranks, who was doing ‘PC 49’ for them recommended me— again, because of this likeness thing. Then I ended up doing all sorts of things for them.

Why did you use the pseudonym Chris Garvey for some of your work for Girl?
I think it was just to keep my portrait work separate from the commercial stuff, and I kept it ambiguous plus the surname of an amazing human being in my life, who died very young.

Did you read or have a familiarity with comics before you started drawing them in Australia?
As a kid I had my weekly, eagerly awaited comic to devour; can’t remember its’ name, but I do remember another I loved called Film Fun which featured mostly British actors,entertainers etc, amongst which was a regular strip featuring Lupino Lane. Amazingly, by pure chance, I ended up, in my actressing days, working with him in the West End and on tour, in his famous show ‘ Me and My Girl ‘ Lovely man. News of my first portrait to be accepted by the Royal Soc. of Portrait Painters was on tour with him in Cambridge: we all went to the pub after the show and celebrated.

Were there any particular differences or demands you encountered upon entering the English comics industry?
Only that I was now working in full colour, and needed to learn how to apply this to deal with the vagaries of the printed result.

Are there any particular standout memories from your time in comics?
Matt, too long winded. I did about five years of it inc. years of ‘ Belle of the Ballet’ ; serial on Joan of Arc [ fascinating ] ; ‘ Petruschka, ‘the ballet; a cooking series; and misc. illustrations, covers etc.
But portraiture was the prime, constant accompaniment throughout ——– from the age of 12.

mendoza — The three Illustrations below are from a Girl Annual accompanying an article on the work of British film make up artist George Blackler. All signed under June’s Pseudonym Chris Garvey.

George Blackler applies make-up to Alec Guinness.

Yoko Tani made up as an Eskimo for ‘The Savage Innocents’

George Blackler provided ‘Moko’ for Maori actors in the film production of John Guthries novel, The Seekers.

Sources: Special thanks to Phil Rushton, Devil Doone scan courtesy Ausreprints, Devil Doone history at Comicsdownunder , Artist June Mendoza with [her] portrait of Sammy Davis Junior courtesy June Mendoza, http://trove.nla.gov.au/work/167570547 , June Mendoza seated with her arms around two of her children, Ashley and Lee; Elliet is standing in left foreground. A portrait of all four children is in the background courtesy June Mendoza, http://trove.nla.gov.au/work/167570548

Originally posted by Matt Emery at 9:53 PM, 23rd January 2014

Email: guzumo@gmail.com

Twitter: @pikitiapress

Tumblr: pikitiapress.tumblr.com

About
Pikitia Press is a small press publishing operation run from my spare room in St Kilda, Melbourne. I founded Pikitia Press in 2012 to publish works by and about Australia and New Zealand cartoonists. The Pikitia Press blog is an ongoing effort to record contemporary cartooning/comics and cartooning history in New Zealand and Australia.

Matt Emery – Pikitia Press Publisher – Dec 2012

Stuart Skelton to give masterclass in London

Monday 2nd November, 2015
Tickets: £50
Venue: Victoria (full address provided on booking)

Australian tenor Stuart Skelton, the 2014 Male Singer of the Year for the International Opera Awards, will give a public Masterclass with recent Opera Awards Foundation Bursary recipients.

This will not only be a fascinating insight into the art of singing, it’s also a great opportunity to support aspiring operatic talent, as all proceeds go directly to the Opera Awards Foundation. The event will be preceded by a drinks reception and there will be a chance afterwards to mingle with the artists.

Online booking will be available soon but you can secure your place now by calling us on 0207 104 2008 to book.

Ana de la Vega plays with English Chamber Orchestra. Kings Place, Sunday May 31st

Terrific news from Australian flautist, Ana de la Vega. It is a busy time for the Trust with a full calendar of concerts coming up. Ana’s concert with the English Chamber Orchestra shouldn’t be missed.

I write to you from Hamburg where I have rehearsals this weekend. I have just returned from an 11 concert sold-out tour of Australia which was simply fantastic. I was the first time I have played in Australia in 10 years and so very sentimental.I am playing another concerto with the English Chamber Orchestra next Sunday 31st May at 7:30pm at the Kings Place. I play the Mozart Flute Concerto In D and the Mozart Andante in C.

As a proud Australian Ana is the artistic director of the London International Players who have just had a rave review in The STRAD, and her solo career has seen her onto many of Europe’s most prestigious stages!

Ana de la Vega, Biography
Few flautists of her generation have performed so extensively worldwide as soloist and chamber musician. Ana de la Vega’s recent Wigmore Hall debut was reviewed as ‘Outstanding’ (Classical Source), her Cadogan Hall London performance as ‘true artistry’ (Musical Opinion), and her Berlin Philharmonie debut as ‘first-class’.

Ana was student of the Conservatoire Supérieur de Paris where studied for her Premier Prix under Catherine Cantin, as well as with Philippe Pierlot and Raymond Guiot. At the age of 23 she won the position of Principal Flute with the Orquestra Sinfonica do Norte in Portugal. Since then she has held Principal Flute positions with the EPK Europa Philharmonie in Baden-Württemberg in Germany, and the Philharmonie der Nationen in Hamburg.

Ana is founder and artistic director of the London International Players, a dynamic London ensemble which brings together the finest musicians of her generation. On the wings of her dynamism they have already in their first season performed in Europes greatest halls to high regard, making headlines in the UK and abroad with their ‘explosive and ‘dazzling’ performances (World Of Classical Music, Wigmore Hall review).

“With tremendous élan and vitality, de le Vega revealed her artistry…”
Musical Opinion, London

—

Ana de la Vega
www.anadelavega.com
London +447944642991

Berlin +491724651909

London International Players

Artistic Director
www.londoninternationalplayers.com

ABC Classics announcement — London Recital 28th May

From Jayson Gillham

ABC Classics announcement — London Recital 28th May.

ABC Classics announces three-album recording deal with Jayson Gilliam

If you haven’t already seen this through the various channels, here is a link to yesterday’s article published by the Australian music magazine Limelight about my signing with ABC Classics: http://www.limelightmagazine.com.au/news/abc-classics-sign-jayson-gillham

Needless to say, it is very exciting and I am looking forward to a long and fruitful relationship with ABC Classics. I’ll be making the recording of the first solo-piano disc in Germany next month. As part of my preparations for this recording, I’ll be giving the full programme an airing in London on 28th May – if you are in London please do come along – details below….

London Recital at
22 Mansfield St, Marylebone
Thursday 28th May, 7pm drinks for 7.30pm start

Dear friends, please join me for this exclusive London recital featuring all of the works I will be recording for my debut CD with ABC Classics.

It is a beautiful programme of masterworks by Bach, Schubert and Chopin, and this recital is your only chance to hear the CD programme live. The CD is not due to be released for another year so if you can’t wait that long, you will simply have to drag yourself to this concert!

The recital will take place in the gorgeous home of tireless music supporters Bob and Elisabeth Boas at 22 Mansfield St, Marylebone, London W1G 9NR, where the music will be complemented by a very fine and diverse art collection and followed by drinks and canapés to round off the evening.

To reserve your place, email boas22m@btinternet.com or phone 020 7436 0344. Prices are £15 for the concert only, and £25 to include drinks and canapés. Students can take advantage of the generous offer of £5 for concert only and £15 to include drinks and canapés.

It would be lovely to see you there. The full programme is as follows and is identical to the CD recording:

J. S. Bach Toccata in C minor, BWV 911
Schubert Sonata in A major, D664
Chopin Prelude in C-sharp minor, Op. 45
Chopin Sonata No. 3 in B minor, Op. 58

Videos from the Tait Winter Prom Dec 2014

Tait Chamber Orchestra, conducted by Kelly Lovelady

Percy Grainger
Handel in the Strand

Mozart – Ch’io mi scordi di te? with Elena Xanthoudakis

Tait Friends renewals 2015

Principal Partner

Dear Friends,

I was so pleased to see some of our Friends at the “Rising Australian Stars” concert at the ROSL last week where no fewer than four previous recipients of Tait awards played to a very appreciative audience. The music was simply glorious and I hope that you feel, as I do, the warm glow of satisfaction at being part of the nurturing of such wonderful young talent and how, with your generosity, The Tait Memorial Trust has played no small part in moving them along their musical path. With your help we have been able to help them gain the very best musical tuition and to expose them to the challenging and vibrant musical scene of the UK. What their natural talent and hard work, their families and their initial musical education in Australia began we have been able to continue. Apart from their exceptional musical talent one cannot help but be impressed with their enthusiasm, their energy, their strong sense of purpose and their total commitment to the pursuit of excellence. I so enjoyed speaking with Som, Chad, Yelian and Emily, as well as the other performers, after the concert and I am sure you will join me in wishing them all well.

What we have achieved in the past we are to continue. We have received 30 applications for this year’s awards and the standard is, as usual, exceptionally high. Our dedicated team is busy considering all those who are auditioning and we expect to be able to help a new group of very talented and committed young musicians and dancers towards a professional career such as that about to be enjoyed by the recipient of our Leanne Benjamin award for Ballet, Josephine Frick, as she shortly begins her contract with the ENB.

This leads me to the actual purpose of this letter. It is time to renew your Tait Friends membership with The Tait Memorial Trust. It is no exaggeration to write that you, our Friends, are the vital component of our commitment to our young Australian performing artists who come to study here in the UK and we trust you will be able to continue your generous support. In addition, if you know anyone else who would like to be part of this very satisfying activity in nurturing the talent of these wonderful young people please encourage them to do so and ask them to contact me on using the contact form below. I shall be very pleased to welcome them as a Tait Friend.

We have a busy calendar of events in the coming month as you will read below and I look forward to seeing you at one of these events or elsewhere.

Your donation will enable us to continue our important work.

With thanks and warmest wishes

Mrs. Isla Baring OAM
Chairman

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Australian & New Zealand Festival at King’s College, May 28 – 31.

Some highlights include:

May 30th The Story of the Kelly Gang directed by Charlie Tait (1906)

May 30th Tait Concert, Double Bill, Jayson Gillham & The Australia Piano Quartet
Tait/ Australia & New Zealand Festival of Literature & Arts joint concert

May 31st Tait Young Musicians Showcase
Tait/ Australia & New Zealand Festival of Literature & Arts joint concert

July 2nd The Leanne Benjamin Awards
Leanne Benjamin AM OBE speaking with Ross Alley about her career at the English National Ballet Studios at Jays Mews, London.

It is thanks to donations such as yours that we are in a position to offer our awardees such first class opportunities.

Applications for Tait Music awards close Friday 27th March

Grant Applications for 2015

Applicants must be:
o Australian citizens
o or domiciled in Australia
o and be under the age of 35
The completed official application form must be accompanied by the following:

Recording:
CD (DVD/VHS video in the case of dancers)
Photocopy of passport or other official document (proof of age, nationality/residence)
Curriculum Vitae (typewritten if possible)
Two written references from musicians/artists of standing

Please take the time to read the FAQ below.

Applications for Music must reach the Trust Office by the closing date of 27th March 2015 Music Application
Applications for Dance must reach the Trust Office by the closing date of 01 September 2015 Dance Appication

Share completed application with us via our Dropbox.com account info@taitmemorialtrust.org

If you would like notification that the application has been received please include the request with your application folder.

FAQ for Music Applications

To send your application online please share with us at info@taitmemorialtrust.org all of your relevant documents Dropbox folder. Please clearly label each file ie Biography, Track names, Photo etc. Please try and stick to standard formats for your recordings ie mp3 is preferable or provide links to Soundcloud or YouTube

In most cases the grant is paid directly to you in the UK or in the case of Ballet awards directly to the relevant institutions. We ask that Awardees submit a brief report to the Trustees at the end of the year.

As of 2013, with the creation of the new Tait Scholar award at the Royal College of Music, we do fund directly to the institution. For 2015 please do inform us on your application if you wish to also be considered for this award.

Please apply here

https://www.taitmemorialtrust.org/Apply

Ensemble Eroica Easter Concert

Young Australian Conductor, recent Solti Competition Finalist and Tait Winter Prom participant Toby Thatcher currently directs London-based group Ensemble Eroica. Their next programme takes place on Easter weekend, with music by Mozart and Strauss, and a guest solo appearance by Scottish Chamber Orchestra Principal Horn Alec Frank-Gemmill.

Toby Thatcher is carving out a name for himself as an up and coming young conductor in the London scene.We’re sure they would hugely appreciate your support.

When: Saturday April 4th, 19:30
Where: The Warehouse 13 Theed Street London SE1 8ST (nearest tube, Waterloo)

Programme:

Mozart – Symphony No. 25 in G minor
Mozart – Horn Concerto No. 2 in E-flat major, K. 417 (Soloist: Alec Frank-Gemmill – Natural Horn)
Strauss – Suite for 13 Winds in B-flat Major, Op. 4

Tickets will cost £10, £3 student discount.

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