Angela Burgess Recital Hall, Royal Academy of Music, Marylebone Road, NW1 5HT
Courtenay Cleary and Mihály Berecz
perform sonatas of Poulenc and Strauss
Monday May 21st, 7pm
Courtenay Cleary and Annabelle Oomens
perform works by Ravel, Martinu and Xenakis
for Violin and Cello.
Wednesday June 27th, 1pm
Courtenay recently represented Australia playing for the Queen at the Commonwealth Heads Of Government Meeting (CHOGM) at Buckingham Palace, and played solo Bach, again for the Queen, at Westminster Abbey in 2017.
We are delighted to confirm that Courtenay is to study for her Masters at the Juilliard School, New York City beginning in August this year. We wish her the very best and look forward to watching her career continue to blossom and grow.
Lauren Fagan appeared first in Debussy’s l’enfant prodigue. Her singing was of the highest standard, ravishing tone and an impeccable technique. Her performance as the despairing Mother was full of pathos…lovely. Lauren displayed a maturity of performance not often seen in student productions. We look forward to hearing her sing again in a TMT concert in 2014. Read more about Lauren here
Lauren Zolezzi stole the show in the second opera performed last night, Donizetti’s, Francesca di Foix. Glittering top notes, easy production and a stage presence that was simply divine. Earlier in the year Lauren sang in the first concert of the Trust series at the Foundling Museum, London and gave this interview
All in all it was a golden night for the Trust. Thrilling for us at the Tait Memorial Trust to see Lauren Fagan and Lauren Zolezzi performing to such a high standard in one of the most prestigious music schools in the world.
We are very grateful for the steadfast and loyal; support we receive from our many donors. Last night was their triumph.
Initially stepping onto the stage as a young ballerina, Australian born soprano Lauren Zolezzi has now moved into the world of opera and is at the outset of an exciting career.
In September 2012, Lauren took up her scholarship on the Opera Course at the Guildhall School of Music and Drama in London under the tutelage of Susan Waters. Before that,Lauren completed her Master of Arts (Preparatory Opera) with Distinction and scholarship at the Royal Academy of Music, London. Her musical training alongside previous ballet training as well as her study of the Italian language, has led to a well-rounded performer who manages to capture the attention of audiences internationally.
Lauren has been most successful in many singing competitions and scholarships, having won over one hundred awards and scholarships over the years. Recently she won the National Joan Sutherland and Richard Bonynge Scholarship in Australia. Lauren also placed first in Sydney Eisteddfod open age Oratorio and Russian Song sections as well as the Lieder and Oratorio Sections (21-25 yrs). She placed 3rd in both the Female Voices and the Operatic Aria Sections. Other scholarships and prizes include The Sainsbury Award at the Royal Academy of Music and The Marion Macaulay Bequest Scholarship for overseas study from the University of Sydney.
Lauren is an extremely busy performer both in the UK and Australia. Roles include Armida Rinaldo, Drusilla L’Incoronazione di Poppea, Despina Cosi’ fan tutte and Journalist 1 The Last King of Scotland, The Princess L’enfantet les sortilèges, Norina Don Pasquale, Sophie Der Rosenkavalier, Jano Jenufa, Melisande Pelleas et Melisandeand Barbarina The Little Green Swallow (Dove) in Guildhall Opera Scenes. She also performed the role of Barbarina Le Nozze di Figaro (GSMD) in February 2013 and covered the role of Susanna as well as receiving a solo recital of artsong at the Foundling Museum in London.
Before arriving in the UK she sang as soloist for the Australian ‘Opera and Arts Support Group’ soiree in Sydney Australia. During the 2008 World Youth Day celebrations, she sang to great acclaim as the featured soloist at the Evening Vigil liturgy with Pope Benedict XVI, held at Randwick Racecourse, Sydney. She was also featured soprano in a concert of excerpts from The Messiah at St Mary’s Cathedral in December 2008. Lauren was invited by the Honorary John Aquilina to perform at the National European Day ball held at Government House in 2008 to an audience of foreign representatives.
Lauren’s past featured operatic roles have included Naiad Ariadne auf Naxos and Ellen Lakme’ (Academy Opera Scenes). She also played the title role of Carmen in ‘Carmen – The Musical’ at the State Theatre and a member of the chorus for Dead Man Walking – The Opera at the Lyric Theatre in 2007. She partook in all of the Mid-Summer Operas held at the Conservatorium of Music from 2005-2008, in all of which she featured as a soloist performing roles such as Virtu’ L’Incoronazione di Poppea and Papagena Die Zauberflöte.
Lauren’s continued development is generously supported by the Tait Memorial Trust, the Opera and Arts Support Group Australia, The Worshipful Company of Gold and Silver Wyre Drawers, the Worshipful Company of Barbers and the Australian Government through the Australian Council of the Arts, it’s Arts Funding and Advisory Body.
Xenia is a 2013 Tait Memorial Trust Awardee, She is due to begin a Masters degree in Violin at the Royal Academy of Music. The Trust are delighted to be supporting Xenia and wish her the very best for the 2013/2014 academic year.
Xenia Deviatkina-Loh studies violin with Alice Waten. She has performed with the Willoughby Symphony Orchestra, the South Melbourne Orchestra, the Kuringai Philharmonic Orchestra, the Queensland Symphony Orchestra, the Canberra Symphony Orchestra and the Christchurch Symphony Orchestra. She has also performed in Beleura House and Gardens, Melba Festival – Yarra Grange and Federation Square – Exhibition Centre. She’s been aired live on 3MBsFM, ABC radio, and Radio New Zealand. Xenia was the Junior Finalist and the Senior Winner of the Kuringai Philharmonic Concerto Competition in 2005 and 2008 respectively. She was the 2009 String Finalist of ABC Young Performer’s Award, and the 2009 winner of the Gisborne International Music Competition.
Xenia has had masterclasses and private lessons with The Brentano String Quartet, Trio Dali, Tasmin Little, Lina Bahn, Oleh Krysa, Charles Castleman, Kolja Blacher, Julian Rachlin, Zakhar Bron, Boris Kuschnir, Felix Andrievsky and Edward Dusinberre (Takács Quartet). She gained a full tuition scholarship to the Royal Academy of Music London. She will start her Masters degree in London later this year.
Xenia’s award from the Trust and her participation in the London Masterclasses is kindly supported by the Thornton Foundation
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