Tait Profiles – Page 5 – Tait Memorial Trust

Russell Harcourt, Counter tenor – Tait update

Lovely to hear from Tait Awardee, Russell Harcourt who recently returned from Sydney after working with Pinchgut Opera.

Russell Harcourt Photo by Simon Hodgson — Russell Harcourt
Photo by Simon Hodgson

He has recently updated his website with some excerpts from the opera Vivaldi’s Bajazet. Hadleigh Adams (also a Tait prize winner) was singing the title role.

Listen to Russell sing Handel here

Russell is currently preparing David (cover) in Saul for Glyndebourne on Tour as well as participating in Janice Kerbel’s piece DOUG in Glasgow which is a Turner Prize Nominee.

Follow these links to learn more about Russell:

www.russellharcourt.com

www.facebook.com/russellharcourtcountertenor

” …penetrating, glint-edged clarity.”
The Australian, July 7, 2015

Russell Harcourt is steadily gaining recognition on the operatic stage and concert platform throughout the UK and Australasia for a refined brilliance of vocal colour and the comic charm of his characterisations.

Russell studied voice with Graham Pushee and made his operatic début in 2007 as Oberon in A Midsummer Night’s Dream. He made his Australian concert début in 2009 as a guest artist at the Australian Festival of Chamber Music and made his Royal Opera House début in the Crush Room in the Deloitte Ignite 2010 series.

Russell has recently returned from a critically acclaimed performance of Andronico in Vivaldi’s rarely performed pasticcio, Bajazet, for Sydney’s Pinchgut Opera. Other career highlights to date include the role of Athamas in Handel’s Semele under Sir Charles Mackerras; an extensive tour with English Touring Opera including roles in Handel’s Agrippina and Monteverdi’s The Coronation of Poppea; performances of Messiah with the New Zealand Symphony Orchestra, alongside Teddy Tahu Rhodes, under the baton of Richard Gill; and Corrado in Vivaldi’s Griselda, also with Pinchgut Opera.

Recent engagements include Countertenor 1 (cover) The Gospel According to the Other Mary and Hunahpu (cover) Indian Queen, both for director Peter Sellars at English National Opera, Pisandro The Return of Ulysses for Iford Arts Festival under Christian Curnyn and Soloist in the European premiere of Andrew Ford’s The Past for counter-tenor, flute and string orchestra with Ruthless Jabiru under Kelly Lovelady, Australian & New Zealand Festival of Literature & Arts.

Other engagements include Volano Il Giasone under Jane Glover; Fox/Coachman (cover) The Adventures of Pinocchio Opera North; Armindo (cover) Partenope Opera Australia (Sydney and Melbourne); Zelim (cover) La verità in cimento, Licida (cover) L’Olimpiade both for Garsington Opera and Alto soloist Vanguard Australian Ballet.

Oratorio experience includes alto soloist in Handel’s Messiah, Judas Maccabaeus, Israel in Egypt, J. S. Bach’s St. Matthew Passion, Bernstein’s Chichester Psalms, excerpts from Pergolesi’s Stabat Mater and excerpts from Vivaldi’s Stabat Mater, Magnificat and Introduction and Gloria.

Prizes and scholarships include Hariclea Darclée Special Award for Excellence, The Sir Robert Askin Operatic Travelling Scholarship, Tait Memorial Trust Grant, Australian Music Foundation Awards, Ian Potter Cultural Trust Grant, Australia Council for the Arts; Skills and Arts Development Grant and the Marten Bequest Travelling Scholarship. In 2008, Russell was the winner of the prestigious Dame Joan Sutherland Award, as well as the People’s Choice Award at the same event and in 2012 he was a finalist in The Kathleen Ferrier Awards at Wigmore Hall.

Russell holds a Bachelor of Music from the Sydney Conservatorium of Music and an MA, Dip. RAM in Opera from The Royal Academy of Music. He studied part-time at the National Opera Studio and is an Associate of the Jette Parker Young Artist’s Programme at the Royal Opera House Covent Garden. He has performed in master classes for Emma Kirkby, Michael Chance, Andreas Scholl and Rosalind Plowright and he is an alumnus of the Britten-Pears Young Artist Programme.

Russell currently lives in London and studies with Yvonne Kenny.

Andronico in Bajazet, Pinchgut Opera

Australian countertenor Russell Harcourt is the vacillating Prince Andronico … He has an exciting male soprano voice … excellent in recitative, growing in vocal stature as the evening progresses…”
Clive Paget, Limelight, Australia’s Classical Music & Arts Magazine, July 5, 2015

“Russell Harcourt’s Andronico is a vibrant and sometimes garish foil to the solemn fervour of Asteria.”
Harriet Cunningham, Sydney Morning Herald, July 5, 2015

“Russell Harcourt rang with impressive vocal consistency as Andronico … Characterised by a beautifully aspirated smooth falsetto that comfortably reached dizzying highs, Harcourt gave a memorable performance.”
Paul Selar, BachTrack, July 6, 2015

Narciso in Agrippina, English Touring Opera

“Russell Harcourt’s fawning Narciso, a dessicated cleric who sings like a nightingale”
Michael Church, The Independent

“Russell Harcourt was nimble-voiced and wickedly self-serving as Narciso”
Peter Reed, Classical Source

Athamas in Semele, Royal Academy of Music

“Russell Harcourt was exceptional. Fine attack, varied tone, stunning decoration, accomplished breath control, and with a clipped acting style that fitted the role like a glove.”
Peter Reed, Opera Magazine

“Harcourt however, not only possesses a beautiful voice and a fine technique, but proved himself to be one of the strongest actors in the show.”
Calvin Wells, Opera Brittania

Nutrice in Poppea, English Touring Opera

“Russell Harcourt was very soignee looking [and] brought great vocal character to the role”.
Robert Hugill, Planet Hugill, 2013

Corrado in Griselda, Pinchgut Opera

“…Russell Harcourt’s role as Corrado, isn’t designed to win hearts but his performance certainly doesn’t lose any. Snappy exchanges…are vociferous and precise.”
Neville Olliffe, Early Music Association of NSW, 2011

Oberon in A Midsummer Night’s Dream, WAAPA

“Russell Harcourt made an impressive King of the Fairies. His Oberon was consistently majestic; he moved around the stage as if it were his natural domain and his voice was informed by a slightly sinister quality that sounded entirely right.”
Neville Cohn, The West Australian

Tait Winter Prom 2015

Please save the date for our 5th annual Tait Winter Prom which will be held in the Amaryllis Fleming Concert Hall at the Royal College of Music on Monday the 23rd of November at 6.30 for 7pm. This year we are delighted to welcome Australian virtuoso pianist and Tait Patron, Piers Lane AM who will be playing Chopin. With wine kindly provided by Treasury Wines Estates please join us, sit back and enjoy some of the most beautiful music written for the piano.

We will also be announcing our 2015 Awardees and look forward to hearing some of our talented young Australian artists performing for us at the beginning of the evening. Our awards would not be possible without the support of the Tait Friends, our loyal private donors and our principal partner the Commonwealth Bank of Australia. Thank you.

We will first showcase some of our 2015 awardees:

• Alexandra Isted, violin – Tait Scholar at the RCM
• Tabatha Mc Fadyen, soprano – Tait Award, Bel Canto Awards Australia
• Matthew Reardon, tenor – Tait Prize, Australian International Opera Awards
• Chad Vindin, piano – Tait Prize, Royal Over-Seas League
• Peter Wilson, composer – Loewenthal Award RCM

Don’t miss this opportunity to hear Piers and our talented awardees and meet them at a small reception after the concert. For our Friends please join us for dinner at the Polish Club with Piers and our Tait Awardee performers. Please follow the link below to book your place and book early as places are limited

Other prizes and awards to be announced shortly

Please come. Help us to support these talented young Australians who are making their mark in the UK.

June Mendoza interview from the Pikitia Press Blog

This blog post was published on the Pikitia Press Blog on Thursday January 23rd, 2014 written by Matt Emery. As June Mendoza is a patron of the Tait Memorial Trust we wanted to share this fascinating article about a great Australian. We are very grateful to Matt Emery for sharing these illustrations and his interview with June on his blog.

http://pikitiapress.blogspot.com.au/2014/01/june-mendoza-interview.html

Thursday, January 23, 2014
June Mendoza Interview

0_2877391-1 — June Mendoza with three of her children, Ashley and Lee seated; Elliet standing in left foreground. A portrait of her four children is in the background

June Mendoza was born in Melbourne, Australia,1927, to an artistic family, pianist, composer Dot (née) Mendoza and musician John Morton. June focused on an art career from twelve years of age, taking life drawing at fourteen. By seventeen June was illustrating book jackets, magazine illustrations, town-planning exhibition artwork, record sleeves, some portraits and the adventure comic strip Devil Doone.

0_2877386 — June Mendoza with paint palette in front of her portrait of Sammy Davis Junior.

Mendoza immigrated to England in the early 1950s and worked for Hulton Press producing illustrations and comics for Eagle’s companion title Girl. After five years June transitioned into full time portraiture with subjects including Prince Philip, Duke of Edinburgh, Sammy Davis Junior, Sean Connery, Princess Diana, Queen Elizabeth II (twice), HM Queen Elizabeth The Queen Mother, Sir William McMahon, Prince Edward, Baroness Margaret Thatcher, Sir John Major, Sir John Gorton 1972 (official Parliamentary portrait acquired 1972 – the first and only official portrait of a Prime Minister by a woman artist).

mendoza6 — Panel from Diana and Debbie are Dieticians featured in 1950’s Girl Annual by Hulton Press.

In mid 2013 June answered a few questions for Matt Emery via email.

Do you recall what your first professional illustration job was and how old you were at the time?

Hopeless with dates, But discounting portraits, which I was already doing by the time I was 12, I remember a big job on a Town Planning exhibition for some architects when I was about 17, which involved humourous, but relevant, illustrations accompanying text, on about ten large panels.

How did you get the job of illustrating the first episodes of Devil Doone?
Can’t remember, But I had this ability to repeat likenesses of the characters in different situations and with different expressions.

Do you recall any other cartoonists that were active during the time you drew comics in Australia?
No. Except the beloved Les Tanner, of course; but he was something else.

Read Belle of the Ballet in Crazy Day on the Pikitia Tumblr

What brought you to England and what were the first comics you worked on there?
The world was on the other side, and we all wanted to be there. I took over from a splendid comic artist on the already running and popular ‘Belle of the Ballet” for Hulton Press. Alan Stranks, who was doing ‘PC 49’ for them recommended me— again, because of this likeness thing. Then I ended up doing all sorts of things for them.

Why did you use the pseudonym Chris Garvey for some of your work for Girl?
I think it was just to keep my portrait work separate from the commercial stuff, and I kept it ambiguous plus the surname of an amazing human being in my life, who died very young.

Did you read or have a familiarity with comics before you started drawing them in Australia?
As a kid I had my weekly, eagerly awaited comic to devour; can’t remember its’ name, but I do remember another I loved called Film Fun which featured mostly British actors,entertainers etc, amongst which was a regular strip featuring Lupino Lane. Amazingly, by pure chance, I ended up, in my actressing days, working with him in the West End and on tour, in his famous show ‘ Me and My Girl ‘ Lovely man. News of my first portrait to be accepted by the Royal Soc. of Portrait Painters was on tour with him in Cambridge: we all went to the pub after the show and celebrated.

Were there any particular differences or demands you encountered upon entering the English comics industry?
Only that I was now working in full colour, and needed to learn how to apply this to deal with the vagaries of the printed result.

Are there any particular standout memories from your time in comics?
Matt, too long winded. I did about five years of it inc. years of ‘ Belle of the Ballet’ ; serial on Joan of Arc [ fascinating ] ; ‘ Petruschka, ‘the ballet; a cooking series; and misc. illustrations, covers etc.
But portraiture was the prime, constant accompaniment throughout ——– from the age of 12.

mendoza — The three Illustrations below are from a Girl Annual accompanying an article on the work of British film make up artist George Blackler. All signed under June’s Pseudonym Chris Garvey.

George Blackler applies make-up to Alec Guinness.

Yoko Tani made up as an Eskimo for ‘The Savage Innocents’

George Blackler provided ‘Moko’ for Maori actors in the film production of John Guthries novel, The Seekers.

Sources: Special thanks to Phil Rushton, Devil Doone scan courtesy Ausreprints, Devil Doone history at Comicsdownunder , Artist June Mendoza with [her] portrait of Sammy Davis Junior courtesy June Mendoza, http://trove.nla.gov.au/work/167570547 , June Mendoza seated with her arms around two of her children, Ashley and Lee; Elliet is standing in left foreground. A portrait of all four children is in the background courtesy June Mendoza, http://trove.nla.gov.au/work/167570548

Originally posted by Matt Emery at 9:53 PM, 23rd January 2014

Email: guzumo@gmail.com

Twitter: @pikitiapress

Tumblr: pikitiapress.tumblr.com

About
Pikitia Press is a small press publishing operation run from my spare room in St Kilda, Melbourne. I founded Pikitia Press in 2012 to publish works by and about Australia and New Zealand cartoonists. The Pikitia Press blog is an ongoing effort to record contemporary cartooning/comics and cartooning history in New Zealand and Australia.

Matt Emery – Pikitia Press Publisher – Dec 2012

ABC Classics announcement — London Recital 28th May

From Jayson Gillham

ABC Classics announcement — London Recital 28th May.

ABC Classics announces three-album recording deal with Jayson Gilliam

If you haven’t already seen this through the various channels, here is a link to yesterday’s article published by the Australian music magazine Limelight about my signing with ABC Classics: http://www.limelightmagazine.com.au/news/abc-classics-sign-jayson-gillham

Needless to say, it is very exciting and I am looking forward to a long and fruitful relationship with ABC Classics. I’ll be making the recording of the first solo-piano disc in Germany next month. As part of my preparations for this recording, I’ll be giving the full programme an airing in London on 28th May – if you are in London please do come along – details below….

London Recital at
22 Mansfield St, Marylebone
Thursday 28th May, 7pm drinks for 7.30pm start

Dear friends, please join me for this exclusive London recital featuring all of the works I will be recording for my debut CD with ABC Classics.

It is a beautiful programme of masterworks by Bach, Schubert and Chopin, and this recital is your only chance to hear the CD programme live. The CD is not due to be released for another year so if you can’t wait that long, you will simply have to drag yourself to this concert!

The recital will take place in the gorgeous home of tireless music supporters Bob and Elisabeth Boas at 22 Mansfield St, Marylebone, London W1G 9NR, where the music will be complemented by a very fine and diverse art collection and followed by drinks and canapés to round off the evening.

To reserve your place, email boas22m@btinternet.com or phone 020 7436 0344. Prices are £15 for the concert only, and £25 to include drinks and canapés. Students can take advantage of the generous offer of £5 for concert only and £15 to include drinks and canapés.

It would be lovely to see you there. The full programme is as follows and is identical to the CD recording:

J. S. Bach Toccata in C minor, BWV 911
Schubert Sonata in A major, D664
Chopin Prelude in C-sharp minor, Op. 45
Chopin Sonata No. 3 in B minor, Op. 58

Videos from the Tait Winter Prom Dec 2014

Tait Chamber Orchestra, conducted by Kelly Lovelady

Percy Grainger
Handel in the Strand

Mozart – Ch’io mi scordi di te? with Elena Xanthoudakis

Tait Friends renewals 2015

Principal Partner

Dear Friends,

I was so pleased to see some of our Friends at the “Rising Australian Stars” concert at the ROSL last week where no fewer than four previous recipients of Tait awards played to a very appreciative audience. The music was simply glorious and I hope that you feel, as I do, the warm glow of satisfaction at being part of the nurturing of such wonderful young talent and how, with your generosity, The Tait Memorial Trust has played no small part in moving them along their musical path. With your help we have been able to help them gain the very best musical tuition and to expose them to the challenging and vibrant musical scene of the UK. What their natural talent and hard work, their families and their initial musical education in Australia began we have been able to continue. Apart from their exceptional musical talent one cannot help but be impressed with their enthusiasm, their energy, their strong sense of purpose and their total commitment to the pursuit of excellence. I so enjoyed speaking with Som, Chad, Yelian and Emily, as well as the other performers, after the concert and I am sure you will join me in wishing them all well.

What we have achieved in the past we are to continue. We have received 30 applications for this year’s awards and the standard is, as usual, exceptionally high. Our dedicated team is busy considering all those who are auditioning and we expect to be able to help a new group of very talented and committed young musicians and dancers towards a professional career such as that about to be enjoyed by the recipient of our Leanne Benjamin award for Ballet, Josephine Frick, as she shortly begins her contract with the ENB.

This leads me to the actual purpose of this letter. It is time to renew your Tait Friends membership with The Tait Memorial Trust. It is no exaggeration to write that you, our Friends, are the vital component of our commitment to our young Australian performing artists who come to study here in the UK and we trust you will be able to continue your generous support. In addition, if you know anyone else who would like to be part of this very satisfying activity in nurturing the talent of these wonderful young people please encourage them to do so and ask them to contact me on using the contact form below. I shall be very pleased to welcome them as a Tait Friend.

We have a busy calendar of events in the coming month as you will read below and I look forward to seeing you at one of these events or elsewhere.

Your donation will enable us to continue our important work.

With thanks and warmest wishes

Mrs. Isla Baring OAM
Chairman

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Australian & New Zealand Festival at King’s College, May 28 – 31.

Some highlights include:

May 30th The Story of the Kelly Gang directed by Charlie Tait (1906)

May 30th Tait Concert, Double Bill, Jayson Gillham & The Australia Piano Quartet
Tait/ Australia & New Zealand Festival of Literature & Arts joint concert

May 31st Tait Young Musicians Showcase
Tait/ Australia & New Zealand Festival of Literature & Arts joint concert

July 2nd The Leanne Benjamin Awards
Leanne Benjamin AM OBE speaking with Ross Alley about her career at the English National Ballet Studios at Jays Mews, London.

It is thanks to donations such as yours that we are in a position to offer our awardees such first class opportunities.

Tait Winter Prom 2014 at St John's Smith Square

The 2014 Tait Winter Prom was a landmark event for the Tait Memorial Trust at St John’s Smith Square, proudly supported by Australia’s largest bank, the Commonwealth Bank of Australia. To see and hear our talented Awardees performing at one of London’s most prestigious concert platforms was thrilling…truly a great night for the Trust and for our young Australians we support.

Now in our 23rd year Awards have increased by 30% from 2013 largely due to the more than three fold rise in Tait Friends subscriptions in 2014 and our loyal audience who come to our events and generously give towards our scholarship fund.

Thank you.

We are very grateful for the
support that we receive
from the following organisations:

Principal Partner:
Commonwealth Bank of Australia

Partners:
Australian Business
The Australia Day Foundation
Bailey Nelson UK
The Britain-Australia Society
Cubitt House
Minter Ellison
Oliveto & Olivo Ltd
Qantas
Royal Over-Seas League
The Thornton Foundation
Treasury Wine Estates

2014 Tait Winter Prom at St John’s Smith Square
London Tuesday 9th December 2014
St John’s Smith Square,
Showcasing Australian Talent — An evening of Music and Ballet
Supported by Commonwealth Bank of Australia
Conducted by Kelly Lovelady
Tait Chamber Orchestra
Presented by former Miss Australia, Kimberley Busteed
Directed by Greg Eldridge

Jayson Gillham, Piano
Elena Xanthoudakis, Soprano
Xenia Deviatkina-Loh, Violin
Sophie Moffatt, Dancer
Calvin Richardson, Choreographer
Matthew Ball, Dancer
Marlena Devoe, Soprano
Chad Vindin, Piano
Adam Szabo, Cello
Yelian He, Cello
Nicola Crowe, Flute
Gerard Schneider, Tenor

Concert Programme

Percy Grainger (1882-1961)
Handel in the Strand
Jayson Gillham, Piano

Wolfgang Amadeus Mozart (1756-1791)
Piano Concerto: No. 14 in E flat , K. 449
Jayson Gillham, Piano

Ralph Vaughan Williams (1872-1958)
The Lark Ascending
Xenia Deviatkina-Loh, Violin

Wolfgang Amadeus Mozart (1756-1791)
Ch’io mi scordi di te? Non temer, amato bene. K.505
Elena Xanthoudakis, Soprano
Jayson Gillham, Piano

Interval 20mins

Gabriel Faure
Kenneth MacMillan 1 – choreography
Requiem, Pie Jesu solo
Sophie Moffatt, dancer 2
Coached by Leanne Benjamin OBE
Marlena Devoe, Soprano
Chad Vindin, Piano

Saint-Saëns
The Swan
The Carnival of the Animals
Calvin Richardson – choreography
The Dying Swan
Calvin Richardson, Dancer 3
Adam Szabo, Cello
Chad Vindin, Piano

Giovanni Sollima (1962- )
Violoncelles Vibrez!
Yelian He & Adam Szabo, Cellos

Kevin Penkin (1992- )
Changing Feet
Nicola Crowe, Flute

Giacomo Puccini (1858-1924)
La Boheme, Act 1
Che gelida manina
Si, mi chiamano Mimi
O soave fanciulla

Marlena Devoe, Soprano
Gerard Schneider, Tenor 4

1 Performed with the kind permission from The MacMillan Estate
2 Appears with kind permission from The Royal Ballet School
3 Appears with kind permission from The Royal Ballet
4 Appears with kind permission from The National Opera Studio

Winter Prom highlights

Jayson Gillham playing Grainger’s, Handel in the Strand

Xenia Deviatkina-Loh playing Vaughan William’s, The Lark Ascending

Elena Xanthoudakis singing Mozart’s, Ch’io mi scordi di te? K 505 with Jayson Gillham, piano

Adam Szabo & Yelian He playing Sollima’s, Violoncelles Vibrez!

Marlena Devoe & Gerard Schneider sing the Final scene from Act 1, La boheme, Puccini

Review in Limelight Magazine

Review in Seen and Head

Jayson Gillham prepares for Le Louvre

Jayson Gillham played magnificently last night at 49 Queen’s Gate Terrace, London. The home of Sir Vernon and Lady Ellis it has become one of London’s most prestigious boutique chamber venues.

He played a program of Debussy, Chabrier & Ducas. He is such a wonderful artist and speaks and introduces each piece with humour.

We are thrilled that Jayson Gillham is playing for us at the Tait Winter Prom The concert will be at St John’s Smith

He will play this program at Le Louvre next week:

Auditorium du Louvre
12.30
Programme:
Chabrier Pièces pittoresques
Tourbillon; Mauresque; Idylle; Danse villageoise, Dukas Variations, Interlude and Finale on a theme by Rameau
Debussy Etudes, Book Two

He is a truly talented young man

The concert is at St John’s Smith Square on Tuesday 9th December at 7.30pm

Message from Sky Ingram, Soprano

Dear Friends,

I hope you’ve all had a lovely start to your autumn/spring (depending on hemisphere!) – I certainly have! Most especially the start of rehearsals for my debut with the Royal Opera House world premiere of Glare in the role of Lea. Very exciting!! Helping develop a new opera and new story line has been such a creative and different rehearsal experience. I hope that if you’re in London you might be able to come!

Am I am robot?… am I a woman?… am I ‘perfect’?… ’imperfect’?… who knows?! – Come and find out!

Please see the trailer attached and performance dates below…

There’s also lots of exciting stuff in the pipeline for 2015. In particular, (and what I’m currently allowed to reveal), is that I have accepted a La Bohème contract for my debut with English Touring Opera. We will be travelling all around the UK. I can’t wait to visit all the towns that I haven’t had the opportunity to go to yet. I am also excited to be performing in this opera with two fellow Adelaidians; Grant Doyle and Nicholas Lester.

http://englishtouringopera.org.uk/productions/la-boheme-2015

2015 also marks my debut in the beautiful Royal Albert Hall with Raymond Gubbay in their Grand Organ Gala as their guest soloist.

http://www.raymondgubbay.co.uk/whatson/grand-organ-gala-2015/

Well, that’s just a little info for now. As always, please let me know what you’ve been up to – I always love to hear!

Lots of love,

Sky

Upcoming performance dates:

Glare, Royal Opera House

14, 15. 18, 18, 19, 21 November 2014 at 7.45pm  & Saturday 22 November 2014 at 6.00pm

Lea, Glare, Linbury Studio, Royal Opera House, Covent Garden, London.

Danish-German composer Søren Nils Eichberg presents a taut operatic thriller about trust and reality.

Haydn Nelson Mass

Friday 5 December 2014 at 7:30pm, Guest Soprano, Victoria Law Courts

Corporation Street, Birmingham, West Midlands, B4 6QA, United Kingdom

La Bohème, Musetta, English Touring Opera

Friday 13 March & Saturday 14 March 2015 at 7.30pm

Hackney Empire, 291 Mare Street, Hackney, E8 1EJ

Tuesday 17 March 2015 at 7.30pm

Hall for Cornwall, Back Quay, Truro, TR1 2LL

Friday 20 March 2015 at 7.30pm

Lighthouse, Kingland Road, Poole, BH15 1UG

Monday 23 March 2015 at 7.30pm

Norwich Theatre Royal, Theatre Street, Norwich, NR2 1RL

Tuesday 24 March 2015 at 7.30pm

Norwich Theatre Royal, Theatre Street, Norwich, NR2 1RL

Monday 30 March 2015 at 7.45pm

Lyceum Theatre, 55 Norfolk Street, Sheffield, S1 1DA

Friday 10 April 2015 at 7.30pm

Everyman Theatre, Regent Street, Cheltenham, GL50 1HQ

Saturday 11 April 2015 at 7.30pm

Everyman Theatre, Regent Street, Cheltenham, GL50 1HQ

Monday 13 April 2015 at 7.30pm

Wolverhampton Grand Theatre, Lichfield Street, Wolverhampton, WV1 1DE

Friday 17 April 2015 at 7.30pm

Snape Maltings Concert Hall, Aldeburgh Music, Snape Suffolk, IP17 1SP

Monday 20 April 2015 at 7.30pm

Curve, Rutland Street, Leicester, LE1 1SB

Friday 24 April 2015 at 7.30pm

Warwick Arts Centre, University of Warwick, Coventry, CV4 7AL

Saturday 25 April 2015 at 7.30pm

Warwick Arts Centre, University of Warwick, Coventry, CV4 7AL

Tuesday 28 April 2015 at 7.30pm

Exeter Northcott Theatre, Exeter Northcott, Stocker Road Exeter, EX4 4QB

Thursday 30 April 2015 at 7.30pm

Exeter Northcott Theatre, Exeter Northcott, Stocker Road Exeter, EX4 4QB

Wednesday 6 May 2015 at 7.30pm

The Hawth, Crawley, Hawth Avenue, Crawley, RH10 6YZ

Friday 8 May 2015 at 7.30pm

The Marlowe Theatre, The Friars, Canterbury, CT1 2AS

Monday 11 May 2015 at 7.30pm

Grand Theatre Blackpool, 33 Church Street, Blackpool, FY1 1HT

Thursday 14 May 2015 at 7.30pm

Buxton Opera House, Water Street, SK17 6XN

Saturday 16 May 2015 at 7.30pm

Buxton Opera House, Water Street, SK17 6XN

Monday 18 May 2015 at 7.30pm

Gala Theatre, Durham, 1 Millennium Place, Town Centre Durham, DH1 1WA

Thursday 21 May 2015 at 7.30pm Musetta, La Bohème English Touring Opera

Perth Festival, Perth Concert Hall, Mill Street, Perth, PH1 5HZ

** 3 more possible dates in May yet to be confirmed… J

Grand Organ Gala, Raymond Gubbay

Sunday 4 October 2015 at 3pm, Guest Soprano, Raymond Gubbay

Royal Albert Hall, London

Kind regards,

Sky Ingram

www.skyingram.com

https://twitter.com/Sky_Ingram

http://www.facebook.com/sopranoskyingram

Changing Feet – A musical exploration of changing pace

Kevin Penkin, Tait Scholar @KevinPenkin at the Royal College of Music 2013 & 2014 @RCMLatest has been commissioned by the Tait Memorial Trust to write an orchestral work for our Winter Prom @StJohnsSmithSq. He has decided to write a piece for flute and orchestra which he has entitled, Changing Feet. Conducted by Kelly Lovelady with Nicola Crowe, flute and The Tait Chamber Orchestra this will be one of the highlights of our showcase of Australian talent in the United Kingdom.

Changing Feet is about changing pace. Leaving the world’s most isolated city to live in one of the most industrious and compact environments requires a huge mental change. This piece tries to reflect not only the mentality of someone who grew up in Perth, but the experience of moving to London and ultimately returning home back to Australia. This work explores what one could miss of Perth, be it the silence, the space or the natural beauty.

Kevin Penkin composer. 29th September 2014

Listen to a sample of Kevin’s work on Soundcloud

We are delighted that Kevin has decided to write about a subject which is so close to many of us. The change of pace…the separation from friends and family is one of the most difficult things to adjust to when you make that leap over the pond. For our young artists who travel here on their own to unfamiliar surroundings without the comfort of their usual support networks this ‘change of feet’ has a real and tangible effect on the London experience.

Over the years the Trust have assisted over 250 young Australian performing artists who have made the leap of faith to study and work here in the UK. Part of of our role is to provide financial support but also to connect them with the network of Australian’s here in London who made a similar trip many years ago. Hopefully we ease the mental change which Kevin refers to. I think we can all remember the feelings we experienced when we first arrived. We are all very keen to hear how Kevin Penkin has

Nicola Crowe - Sir Charles Mackerras Chair — Nicola Crowe, flute – Sir Charles Mackerras Chair

Tait Awardee 2014, Nicola Crowe, flute and current holder of the Southbank Sinfonia, Sir Charles Mackerras Chair, will play the flute solo in Kevin’s new work.

Producer John Frost and Artistic Director Lyndon Terracini Awarded Australian Honours

Congratulations to John Frost AM and Lyndon Teracini AM as Members in the General Division

via Producer John Frost and Artistic Director Lyndon Terracini Awarded Australian Honours.

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