Musical monarch on the verge of a nervous breakdown

 

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Simon Lobelson is the latest singer required to summon the five octaves required for Maxwell Davies’ ‘mad’ King George.

Source: Musical monarch on the verge of a nervous breakdown

by Clive Paget on September 30, 2016 (just now) filed under Classical Music | Vocal & Choral | Opera | Comment Now – See more here          Limelight Magazine

 

One of the more curious things you might have noted about the passing of Sir Peter Maxwell Davies earlier this year is how a composer who was such an enfant terrible back in the 1960s could end up the fondly admired Master of the Queen’s Music with a host of ‘popular’ compositions to his name like the catchy An Orkney Wedding, with Sunrise, or suites of songs to be sung by Scottish schoolkids.

Next week in Sydney, the ambitious Verbrugghen Ensemble are aiming to put the record straight by winding back the clock on Sir Peter in a programme entitled Of Magic and Madness, the centrepiece of which will be a performance of one of his seminal early works: Eight Songs for a Mad King. Directed by Kate Gaul, the production will feature baritone Simon Lobelson as the deranged King George III as well as a bold new work by composer Matthew Hindson (This Year’s Apocalypse) and the lyrical Sextuor Mystique by Heitor Villa-Lobos.

 

Sydney Chamber Opera, Owen Wingrave

The new production of Benjamin Britten’s television opera, Owen Wingrave is getting rave reviews from the press in Sydney.

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Above a lovely article from the Sydney, Daily Telegraph and a review from Limelight here

The cast includes Tait Awardees, Morgan Pearse and Simon Lobelson. We are delighted to read the attached reviews and look forward, hopefully, to hearing a recording(?)

Morgan Pearse and Simon Lobelson.  Owen Wingrave SCO
Morgan Pearse and Simon Lobelson.
Owen Wingrave SCO

Morgan returns to London to sing at Wigmore Hall later this month. Bravo

OWEN WINGRAVE

Opera in two acts, Op. 85 by Benjamin Britten
Libretto by Myfanwy Piper

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Australian Stage Premiere

Benjamin Britten is the most important British composer of the twentieth century, and is the greatest composer of opera in English. Based on a Henry James ghost story, Owen Wingrave is a statement of Britten’s lifelong pacifism. Composed during the Vietnam War, it is the story of a young soldier from an eminent military family whose anti-war instincts lead him to rebel against his upbringing. Desperate to keep his would-be bride and prove he isn’t a coward, he is forced to confront the ghosts of his ancestry.

The music is Britten at his refined, luminous best, with influences ranging from Gamelan to twelve-tone techniques. Imara Savage returns to Sydney Chamber Opera to direct the work’s Australian stage premiere.

Photography: Samuel Hodge

Conductor
Jack Symonds
Director
Imara Savage
Set & Costume
Katren Wood
Lighting Design
Conductor
Jack Symonds
Director
Imara Savage
Set & Costume
Katren Wood
Lighting Design
Ross Graham
With
Morgan Pearse, Georgia Bassingthwaighte, Rowena Cowley, Emily Edmonds, Paul Ferris, Pascal Herington, Simon Lobelson, Kornelia Perchy, boys’ choir, orchestra, and male movement ensemble
Date & Time
7.30pm Sat 3, Mon 5, Wed 7, Fri 9, Sat 10 August 2013
Venue
Carriageworks Bay 20, 245 Wilson St, Eveleigh
Tickets
$60/$30 available here

The above details from the Sydney Chamber Opera site

Morgan Pearse, Baritone
Morgan Pearse, Baritone

Morgan Pearse site

Simon Lobelson, Baritone
Simon Lobelson, Baritone

 

 

 

 

 

 

Simon Lobelson site